1 00:00:11,711 --> 00:00:15,632 ("I Love Lucy" theme song playing) 2 00:01:09,419 --> 00:01:10,920 Oh, look at this. 3 00:01:10,920 --> 00:01:13,339 Isn't it beautiful? 4 00:01:13,339 --> 00:01:16,843 Oh, Lucy, I never saw anything like this in my whole life. 5 00:01:16,843 --> 00:01:17,844 Oh! 6 00:01:17,844 --> 00:01:20,847 Oh, Ricky, the studio must think a lot of you 7 00:01:20,847 --> 00:01:22,348 to get you a suite like this. 8 00:01:22,849 --> 00:01:23,850 Hey, not bad, huh, Fred? 9 00:01:24,350 --> 00:01:25,351 Yeah, this is some class. 10 00:01:25,852 --> 00:01:27,353 Did you see Van Johnson? 11 00:01:27,353 --> 00:01:28,354 Where? 12 00:01:28,354 --> 00:01:30,356 He got in the elevator just as we got off. 13 00:01:30,356 --> 00:01:32,108 That wasn't Van Johnson. 14 00:01:32,108 --> 00:01:32,892 It was, too. 15 00:01:33,393 --> 00:01:34,394 It was not. 16 00:01:34,394 --> 00:01:36,780 Wasn't that Van Johnson that got in the elevator? 17 00:01:36,780 --> 00:01:38,782 No, ma'am, that was the house detective. 18 00:01:38,782 --> 00:01:42,285 Oh. Well, it looked just like him. 19 00:01:42,786 --> 00:01:45,071 Everybody looks like a movie star to my wife. 20 00:01:46,456 --> 00:01:48,458 Your room is down the hall. Thank you. 21 00:01:48,458 --> 00:01:48,958 You're welcome. 22 00:01:49,459 --> 00:01:49,959 Okay. We'll see you later. 23 00:01:50,460 --> 00:01:51,961 Oh, Ricky, this is so wonderful. 24 00:01:52,462 --> 00:01:53,463 I hope you like your place. 25 00:01:53,463 --> 00:01:54,964 I hope it's half as nice as this. 26 00:01:54,964 --> 00:01:56,466 Bye. See you in a little while. 27 00:01:56,466 --> 00:01:57,217 FRED: Bye. 28 00:01:57,584 --> 00:02:00,086 Oh, honey, I can't believe it! 29 00:02:00,086 --> 00:02:01,087 We're really here. 30 00:02:01,588 --> 00:02:02,589 And none of this would have happened 31 00:02:02,589 --> 00:02:05,592 if you hadn't been so talented, darling. 32 00:02:05,592 --> 00:02:07,594 Oh, at least I know one movie star. 33 00:02:07,594 --> 00:02:08,978 I know you're you. 34 00:02:08,978 --> 00:02:09,846 (laughing) 35 00:02:10,346 --> 00:02:11,347 Hey, wait a minute. 36 00:02:11,347 --> 00:02:12,849 I'd better call the studio and tell them we're here. 37 00:02:12,849 --> 00:02:14,350 Where's the phone? 38 00:02:14,350 --> 00:02:15,351 Here. 39 00:02:15,351 --> 00:02:16,352 Oh. 40 00:02:16,352 --> 00:02:18,354 Here you are, sir. 41 00:02:18,354 --> 00:02:20,356 Thank you. 44 00:02:23,359 --> 00:02:25,361 Hollywood's out there! 45 00:02:25,361 --> 00:02:27,363 (chuckling): Yeah. 46 00:02:27,363 --> 00:02:30,366 Operator, Hollywood 33449, please. 47 00:02:30,366 --> 00:02:31,868 Ricky, come here. 48 00:02:31,868 --> 00:02:32,869 Just a minute, honey. 49 00:02:32,869 --> 00:02:34,370 Mr. Sherman, please. 50 00:02:34,370 --> 00:02:38,091 Lucy, did the boy bring my little overnight bag? 51 00:02:38,374 --> 00:02:39,375 Yeah, there it is. 52 00:02:39,375 --> 00:02:41,878 Come here and look, Ethel. 53 00:02:41,878 --> 00:02:43,379 (gasps) 54 00:02:43,379 --> 00:02:45,181 Mr. Sherman, please. Ricky Ricardo calling. 55 00:02:45,181 --> 00:02:46,599 What's your room like? 56 00:02:46,599 --> 00:02:49,219 Oh, it's lovely, but it doesn't have a view like this. 57 00:02:49,219 --> 00:02:50,720 Look. There's the Brown Derby. 58 00:02:51,221 --> 00:02:52,222 (gasping): It is. 59 00:02:52,222 --> 00:02:54,224 Yeah, and Grauman's Chinese Theatre's right up there. See? 60 00:02:54,724 --> 00:02:55,975 Oh, my! 61 00:02:55,975 --> 00:02:58,895 Mr. Sherman, this is Ricky Ricardo. 62 00:02:58,895 --> 00:02:59,729 We just got in. 63 00:02:59,729 --> 00:03:02,699 Yeah. Oh, yes, we had a wonderful trip. 64 00:03:03,199 --> 00:03:05,702 Thank you. Oh, by the way Ben Benjamin told me 65 00:03:05,702 --> 00:03:07,203 to give you his regards. 66 00:03:07,203 --> 00:03:09,706 He's talking to the studio. 67 00:03:09,706 --> 00:03:11,708 Oh, well, that sounds fine. 68 00:03:11,708 --> 00:03:14,711 Yeah, I'd love to see what the studio looks like. 69 00:03:15,211 --> 00:03:17,714 Uh, the Commissary at 12:00 for lunch. 70 00:03:17,714 --> 00:03:19,215 All right. I'll see you there. 71 00:03:19,215 --> 00:03:20,466 Thank you. Good-bye. 72 00:03:20,466 --> 00:03:23,253 Well, let's go. 73 00:03:32,979 --> 00:03:34,981 Let's go where? 74 00:03:34,981 --> 00:03:37,984 That's his idea of a Hollywood outfit. 75 00:03:39,185 --> 00:03:40,520 Fred, I thought I took that stuff 76 00:03:41,020 --> 00:03:41,905 out of the bag in New York. 77 00:03:41,905 --> 00:03:44,357 Well, I put them back in. 78 00:03:44,357 --> 00:03:46,859 I've seen pictures of how they dress in Hollywood 79 00:03:46,859 --> 00:03:48,361 and I want to fit in. 80 00:03:48,361 --> 00:03:50,163 I don't want to be conspicuous. 81 00:03:52,949 --> 00:03:54,951 You go take that off. 82 00:03:54,951 --> 00:03:56,953 I am not walking down the street with you 83 00:03:56,953 --> 00:03:59,956 in that flowered nightshirt. 84 00:03:59,956 --> 00:04:01,424 Now, Fred, you'd better go change 85 00:04:01,925 --> 00:04:03,927 because we're all going to the studio for lunch. 86 00:04:03,927 --> 00:04:04,928 FRED: No kidding? 87 00:04:04,928 --> 00:04:06,429 Yeah. Ricky just talked to the producer. 88 00:04:06,429 --> 00:04:06,930 Oh. 89 00:04:07,430 --> 00:04:08,431 Well, uh, uh, honey, uh, 90 00:04:08,431 --> 00:04:09,933 he-he didn't invite all of us. 91 00:04:09,933 --> 00:04:11,434 Oh, dear. 92 00:04:11,434 --> 00:04:12,936 Me and my big mouth. 93 00:04:13,436 --> 00:04:14,938 I'm sorry, Ethel and Fred. 94 00:04:14,938 --> 00:04:16,306 I thought you were gonna get to go, too. 95 00:04:16,306 --> 00:04:17,807 Oh, darn it. 96 00:04:17,807 --> 00:04:20,727 Well, that's the way the ball bounces. 97 00:04:20,727 --> 00:04:23,229 Well, uh, honey, you're not going either. 98 00:04:24,697 --> 00:04:26,065 Why not? 99 00:04:26,065 --> 00:04:28,067 Well, because he just invited me. 100 00:04:28,067 --> 00:04:30,069 Oh, darn it. 101 00:04:30,069 --> 00:04:31,571 Well, that's the way the ball bounces. 102 00:04:31,571 --> 00:04:33,072 Oh, shut up! 103 00:04:33,072 --> 00:04:35,908 Honey, this is business today. 104 00:04:35,908 --> 00:04:37,827 Oh, here we are in Hollywood 105 00:04:37,827 --> 00:04:39,329 and I don't get to do anything. 106 00:04:39,329 --> 00:04:41,164 What am I gonna do this afternoon? 107 00:04:41,164 --> 00:04:43,583 Well, for one thing, I need a clean shirt. 108 00:04:43,583 --> 00:04:44,884 So, why don't you start unpacking? 109 00:04:44,884 --> 00:04:49,389 And after the fun of unpacking wears off, what then? 110 00:04:49,389 --> 00:04:51,174 Well, I tell you what. 111 00:04:51,174 --> 00:04:53,676 You drop me by the studio, and then you can have the car 112 00:04:54,177 --> 00:04:56,179 for the rest of the afternoon and do whatever you like. 113 00:04:56,179 --> 00:04:58,181 All right? I'll go get ready. 114 00:04:58,181 --> 00:05:00,183 Hey, that's a wonderful idea, huh? 115 00:05:00,183 --> 00:05:03,603 Well, I suppose we could just drive up and down the streets 116 00:05:03,603 --> 00:05:04,937 and hunt movie stars. 117 00:05:04,937 --> 00:05:06,739 Why not? 118 00:05:06,739 --> 00:05:09,108 Although tracking them down one by one 119 00:05:09,108 --> 00:05:11,411 takes so much time. 120 00:05:11,411 --> 00:05:12,745 I wonder if there's anyplace 121 00:05:12,745 --> 00:05:14,697 where they get together in a herd? 122 00:05:14,697 --> 00:05:16,532 Well, maybe at sundown, 123 00:05:16,532 --> 00:05:18,785 they all gather at the same watering hole. 124 00:05:20,620 --> 00:05:21,621 That's it! 125 00:05:22,121 --> 00:05:23,339 That's where we'll go. 126 00:05:23,339 --> 00:05:24,340 ETHEL: Where? 127 00:05:24,340 --> 00:05:25,842 The watering hole. 128 00:05:25,842 --> 00:05:28,211 Fellow hunters, we're going to the Brown Derby. 129 00:05:28,211 --> 00:05:28,678 (Ethel gasps) 130 00:05:43,226 --> 00:05:44,727 Thank you. Gee. 131 00:05:44,727 --> 00:05:48,231 Ooh, it's just like I imagined it. 132 00:05:48,231 --> 00:05:49,232 Yes. 133 00:05:49,232 --> 00:05:51,451 Well, come on, let's sit down. 134 00:05:51,451 --> 00:05:53,720 I never really thought I'd be here. 135 00:05:53,720 --> 00:05:55,221 Me either. 136 00:05:55,221 --> 00:05:56,723 Come on, let's sit down, will you? 137 00:05:57,223 --> 00:05:58,057 All right. 138 00:05:58,057 --> 00:05:59,976 Oh, look. 139 00:05:59,976 --> 00:06:01,477 Eddie Cantor. 140 00:06:01,477 --> 00:06:02,478 (chuckling): Yeah. 141 00:06:02,478 --> 00:06:04,480 Oh, look at Jimmy Durante. 142 00:06:04,480 --> 00:06:05,481 Oh, for heaven's sake. 143 00:06:05,481 --> 00:06:07,984 They've used two frames for his schnozzola. 144 00:06:08,484 --> 00:06:10,987 (laughing) 145 00:06:12,488 --> 00:06:13,990 There's Cary Grant. 146 00:06:13,990 --> 00:06:15,491 Where? 147 00:06:15,491 --> 00:06:17,326 Right there. 148 00:06:17,326 --> 00:06:20,029 It is. 149 00:06:20,029 --> 00:06:21,864 Oh, you finally saw one. Congratulations. 150 00:06:22,365 --> 00:06:22,865 Thanks. 151 00:06:22,865 --> 00:06:24,867 I have a feeling we've run 152 00:06:24,867 --> 00:06:26,536 into a whole nest of them. 153 00:06:26,536 --> 00:06:28,921 Ethel, will you sit down and stop gawking? 154 00:06:28,921 --> 00:06:30,923 You're acting like a tourist. 155 00:06:30,923 --> 00:06:32,925 Well, I am a tourist. 156 00:06:32,925 --> 00:06:34,927 Well, get hold of yourself. 157 00:06:34,927 --> 00:06:38,431 Oh... look at the salads! 158 00:06:38,431 --> 00:06:40,433 Look at the pastries! 159 00:06:40,433 --> 00:06:41,934 Look at the prices! 160 00:06:43,302 --> 00:06:44,771 Don't worry, Fred, it's my treat. 161 00:06:44,771 --> 00:06:46,022 Ricky gave me the money. 162 00:06:46,022 --> 00:06:47,306 Oh, that's different. 163 00:06:47,306 --> 00:06:49,192 Now I can look at this side of the menu. 164 00:06:50,693 --> 00:06:53,196 WOMAN: Telephone for Gregory Peck. 165 00:06:54,564 --> 00:06:56,032 Gregory Peck-- where is he? 166 00:06:56,032 --> 00:06:57,033 I don't see him. 167 00:06:57,033 --> 00:06:58,034 Well, he must be here. 168 00:06:58,034 --> 00:06:59,535 He got a telephone call. 169 00:07:00,036 --> 00:07:00,536 There he is! 170 00:07:01,037 --> 00:07:02,371 There he is right in there. See? 171 00:07:02,371 --> 00:07:05,625 Oh, isn't he handsome. 172 00:07:05,625 --> 00:07:07,994 Look. He's smiling. 173 00:07:07,994 --> 00:07:10,963 Awwww! 174 00:07:10,963 --> 00:07:13,416 Aah, sit down, will you? 175 00:07:13,416 --> 00:07:15,418 Oh, Fred, what's the harm? 176 00:07:15,418 --> 00:07:16,419 They're movie stars. 177 00:07:16,419 --> 00:07:18,421 They're used to being stared at. 178 00:07:18,421 --> 00:07:19,922 Well, I guess he's right. 179 00:07:19,922 --> 00:07:21,424 I guess if they come here to eat, 180 00:07:21,924 --> 00:07:23,926 they'd like to eat in peace. 181 00:07:23,926 --> 00:07:27,430 WOMAN: Telephone for Walter Pidgeon. 182 00:07:27,430 --> 00:07:29,432 Now, if you two johnny jump-ups don't sit down, 183 00:07:29,432 --> 00:07:31,434 I'm gonna eat by myself. 184 00:07:31,434 --> 00:07:33,436 He isn't here. 185 00:07:33,436 --> 00:07:35,938 Why do you have to be such rubbernecks? 186 00:07:35,938 --> 00:07:37,940 They're just people like you and me. 187 00:07:38,441 --> 00:07:40,943 Yeah. I guess we'd better eat, huh? 188 00:07:40,943 --> 00:07:42,445 Yeah. Might as well decide what we want 189 00:07:42,445 --> 00:07:43,446 before the waiter gets here. 190 00:07:43,946 --> 00:07:44,947 Yeah. 191 00:07:46,449 --> 00:07:49,452 Oh, boy, I'm gonna have a piece of that. 192 00:07:49,952 --> 00:07:51,454 WOMAN: Telephone for Ava Gardner. 193 00:07:51,454 --> 00:07:52,955 Where? 194 00:07:54,874 --> 00:07:56,876 Where's Ava? 195 00:07:58,377 --> 00:07:59,262 Fred. 196 00:07:59,262 --> 00:08:01,264 Fred, sit down. 197 00:08:01,264 --> 00:08:04,517 Remember? She's just people, like you and me. 198 00:08:04,517 --> 00:08:07,303 Yeah. She might be people, but she's not like you and me. 199 00:08:08,721 --> 00:08:10,106 All right now. 200 00:08:10,556 --> 00:08:12,058 Have you decided what you're going to have? 201 00:08:12,558 --> 00:08:14,560 Oh. Well, it's so hard to decide. 202 00:08:14,560 --> 00:08:16,562 Everything is so tempting. 203 00:08:17,063 --> 00:08:19,866 Uh, what is this Derby tossed salad? 204 00:08:19,866 --> 00:08:21,200 Anybody knows that, Lucy. 205 00:08:21,701 --> 00:08:23,703 You just take some salad and toss it in a derby. 206 00:08:24,203 --> 00:08:25,071 (laughing) 207 00:08:29,075 --> 00:08:31,577 It's a mixed green salad in an oil dressing. 208 00:08:31,577 --> 00:08:33,079 Oh. Well, I'll have that, please. 209 00:08:33,079 --> 00:08:34,080 Yes, ma'am. And then I'd like 210 00:08:34,080 --> 00:08:35,581 the spaghetti and meatballs. 211 00:08:35,581 --> 00:08:37,083 Oh, that sounds good. I'll have that, too. 212 00:08:37,083 --> 00:08:39,085 Yeah, and lots of meat sauce, please. 213 00:08:39,085 --> 00:08:40,086 Yes, ma'am. 214 00:08:40,086 --> 00:08:42,588 I'd like the veal cutlet Marco Polo. 215 00:08:42,588 --> 00:08:44,090 Veal cutlet. Very well. 216 00:08:44,090 --> 00:08:46,592 Have you been in pictures? 217 00:08:46,592 --> 00:08:47,593 No, ma'am. 218 00:08:47,593 --> 00:08:49,095 No? 219 00:08:53,599 --> 00:08:54,934 (sighs) 220 00:08:55,434 --> 00:08:56,435 Ethel. Huh? 221 00:08:56,435 --> 00:08:58,437 That picture on the end down there-- is that a picture 222 00:08:58,938 --> 00:09:00,439 of Shelley Winters or Judy Holliday? 223 00:09:00,940 --> 00:09:03,242 The one on the end in the bottom. 224 00:09:03,242 --> 00:09:04,660 I can't see the signature. 225 00:09:04,660 --> 00:09:05,912 I think it's Shelley Winters. 226 00:09:05,912 --> 00:09:08,080 Well, it looks more like Judy Holliday. 227 00:09:08,080 --> 00:09:09,865 Well, what's the difference? 228 00:09:09,865 --> 00:09:11,367 Ask that lady in the next booth. 229 00:09:11,367 --> 00:09:12,368 Maybe she can tell. 230 00:09:12,368 --> 00:09:14,370 Oh, for corn's sake. 231 00:09:15,371 --> 00:09:16,088 Miss. 232 00:09:16,088 --> 00:09:17,924 I'm sorry to bother you, 233 00:09:17,924 --> 00:09:19,926 but my friend and I can't see the signature 234 00:09:19,926 --> 00:09:20,927 on that last picture. 235 00:09:20,927 --> 00:09:23,212 Is that Shelley Winters or Judy Holliday? 236 00:09:28,768 --> 00:09:30,303 Neither. That's Eve Arden. 237 00:09:30,303 --> 00:09:31,771 Thanks. Eve Arden. 238 00:09:32,271 --> 00:09:33,105 Oh. 239 00:09:47,653 --> 00:09:49,655 Oh, what she must think of me. 240 00:09:49,655 --> 00:09:52,241 You touched her! 241 00:10:08,758 --> 00:10:11,594 Ethel, what's the matter? 242 00:10:15,014 --> 00:10:16,265 Who? 243 00:10:18,067 --> 00:10:18,985 William who? 244 00:10:18,985 --> 00:10:20,987 (whispering): William Holden, 245 00:10:20,987 --> 00:10:21,771 (regular voice): behind you. 246 00:10:21,771 --> 00:10:24,607 William Holden, behind me? 247 00:10:47,713 --> 00:10:50,049 Oh, he's dreamy. 248 00:10:50,049 --> 00:10:51,017 (gasping) 249 00:10:51,017 --> 00:10:52,518 Oh... 250 00:10:53,519 --> 00:10:55,521 William Holden. 251 00:11:00,526 --> 00:11:01,527 Move around, please. 252 00:11:02,028 --> 00:11:04,530 Oh. Looks mighty tasty. 253 00:11:04,530 --> 00:11:05,531 Mmm. 254 00:11:10,870 --> 00:11:12,238 Oh! 255 00:11:12,238 --> 00:11:13,706 FRED: I'm sorry. 256 00:11:13,706 --> 00:11:16,125 If she wasn't pushing me, I could... 257 00:11:19,628 --> 00:11:21,881 Are you ready to order yet Mr. Holden? 258 00:11:21,881 --> 00:11:25,084 Yeah, Gus. I'd like to start off with a... 259 00:11:30,056 --> 00:11:31,974 Uh, a Cobb salad. 260 00:11:31,974 --> 00:11:32,975 Yes, sir. 261 00:11:32,975 --> 00:11:35,845 And, um... a cup of coffee. 262 00:11:35,845 --> 00:11:37,179 Yes, sir. 263 00:11:37,179 --> 00:11:38,597 And, uh... 264 00:11:50,576 --> 00:11:53,245 I don't have another booth, Mr. Holden. 265 00:11:53,245 --> 00:11:54,163 It's all right. 266 00:11:54,663 --> 00:11:56,665 You know, they say when they stop looking, 267 00:11:56,665 --> 00:11:57,666 that's the time to worry. 268 00:11:57,666 --> 00:11:59,085 Yes, sir. 269 00:12:17,720 --> 00:12:19,688 If I get another booth, Mr. Holden... 270 00:12:19,688 --> 00:12:20,689 Don't worry about it. 271 00:12:20,689 --> 00:12:24,110 You know, I sometimes wonder how a person 272 00:12:24,110 --> 00:12:26,979 like that would feel if, uh, the shoe were on the other foot. 273 00:12:26,979 --> 00:12:27,947 Ha! 274 00:12:27,947 --> 00:12:29,815 Wait a minute, that's an idea. 275 00:12:29,815 --> 00:12:31,817 For once I'm gonna turn the tables. 276 00:15:02,101 --> 00:15:04,103 Let's get out of here. 277 00:15:04,103 --> 00:15:05,604 FRED: Well, I'm not through. 278 00:15:05,604 --> 00:15:06,605 I don't care. 279 00:15:06,605 --> 00:15:07,606 Waiter, check, please. 280 00:15:07,606 --> 00:15:10,109 I'm not gonna leave all this good food. 281 00:15:10,109 --> 00:15:11,110 I can't help it. 282 00:15:11,110 --> 00:15:12,611 Put it in a sack and take it with you. 283 00:15:15,114 --> 00:15:16,115 Thank you. 284 00:15:16,115 --> 00:15:17,116 Thank you. 285 00:16:11,387 --> 00:16:12,938 The script looks fine, John. 286 00:16:12,938 --> 00:16:15,441 Well, good, Bill. I'm glad you like it. 287 00:16:15,441 --> 00:16:16,442 Oh, Mr. Holden, 288 00:16:16,942 --> 00:16:18,444 Wardrobe had to send your coat out to be cleaned, 289 00:16:18,944 --> 00:16:20,446 but they sent this one up for you to wear home. 290 00:16:20,446 --> 00:16:22,448 Oh, good. 291 00:16:22,448 --> 00:16:23,699 Thank you. 292 00:16:23,699 --> 00:16:25,985 How did you get covered with all that pie? 293 00:16:25,985 --> 00:16:27,987 Were you on a television show? 294 00:16:27,987 --> 00:16:29,989 No. 295 00:16:29,989 --> 00:16:32,992 Oh, by the way, Ricky Ricardo's here. 296 00:16:32,992 --> 00:16:34,293 He wants to show you his Don Juan costume. 297 00:16:34,293 --> 00:16:35,961 Oh, fine. Come on in, Ricky! 298 00:16:42,835 --> 00:16:44,336 Mr. Sherman, it doesn't seem to me 299 00:16:44,336 --> 00:16:46,839 that this is quite the way to... 300 00:16:49,842 --> 00:16:51,343 I don't think that this is going to work... 301 00:16:54,763 --> 00:16:56,515 This isn't right, is it? 302 00:16:56,515 --> 00:16:57,900 Of course not, Ricky. 303 00:16:57,900 --> 00:17:00,185 Don Juan never wore armor like that. 304 00:17:00,185 --> 00:17:02,071 He was supposed to be a great lover, wasn't he? 305 00:17:02,571 --> 00:17:03,572 That's right. 306 00:17:03,572 --> 00:17:04,573 Well, if I ever kissed a girl in this thing, 307 00:17:05,074 --> 00:17:06,075 I'd cut her nose off. 308 00:17:07,743 --> 00:17:08,744 Don't worry about it, Ricky. 309 00:17:08,744 --> 00:17:10,245 I'll straighten it out with Wardrobe. 310 00:17:10,245 --> 00:17:12,748 Oh, uh, meet William Holden, Ricky. 311 00:17:12,748 --> 00:17:13,749 Oh? 312 00:17:13,749 --> 00:17:14,583 This is Ricky Ricardo, Bill. 313 00:17:14,583 --> 00:17:15,501 How are you, Ricky? Oh. 314 00:17:15,501 --> 00:17:16,502 How do you do, Mr. Holden. 315 00:17:16,502 --> 00:17:18,787 Very glad to know... Excuse my glove. 316 00:17:18,787 --> 00:17:20,372 Ricky's doing Don Juan for us. 317 00:17:20,372 --> 00:17:23,709 Oh? Say, I, uh, I think that's one of my old suits. 318 00:17:23,709 --> 00:17:24,877 Yeah? 319 00:17:24,877 --> 00:17:26,378 Only I hope you have a lot better luck with it. 320 00:17:26,378 --> 00:17:29,381 You see, uh, one day on location, it rained, 321 00:17:29,381 --> 00:17:31,683 and on the way back, I rusted shut. 322 00:17:31,683 --> 00:17:33,102 No. 323 00:17:33,102 --> 00:17:34,720 And when they got back, they called me and said, 324 00:17:34,720 --> 00:17:38,107 "Come down to wardrobe. We're opening a canned ham." 325 00:17:38,107 --> 00:17:40,059 Canned ham-- that's pretty good. 326 00:17:40,059 --> 00:17:41,894 I'll fix it up, Ricky. Don't worry about it. 327 00:17:41,894 --> 00:17:43,362 Listen, could I use your telephone a minute? 328 00:17:43,362 --> 00:17:44,363 Yeah, help yourself. 329 00:17:44,363 --> 00:17:45,364 I'd like to call my wife 330 00:17:45,364 --> 00:17:46,865 and have her come over to pick me up. 331 00:17:46,865 --> 00:17:47,866 Sure. 332 00:17:49,368 --> 00:17:50,819 What number do you want to dial? 333 00:17:50,819 --> 00:17:54,323 Oh, uh, the Beverly Palms Hotel. 334 00:17:54,323 --> 00:17:55,324 I'll have... Wait a minute, Ricky. 335 00:17:55,324 --> 00:17:56,325 I go right by there. 336 00:17:56,325 --> 00:17:57,326 I can drop you off. 337 00:17:57,326 --> 00:17:58,327 Oh, no, that'll be too much trouble. 338 00:17:58,327 --> 00:17:59,328 It's right on my way. 339 00:17:59,328 --> 00:18:00,329 Are you sure? 340 00:18:00,329 --> 00:18:00,829 Sure. 341 00:18:01,330 --> 00:18:02,664 Gee, thanks. 342 00:18:02,664 --> 00:18:06,135 Say, if you're not in a rush, 343 00:18:06,635 --> 00:18:07,636 could you stop by for a moment? 344 00:18:07,636 --> 00:18:09,054 Sure, I'd love to. 345 00:18:09,054 --> 00:18:12,007 My wife is just dying to meet you. 346 00:18:14,510 --> 00:18:16,011 Ah, here we are, Bill. 347 00:18:16,011 --> 00:18:17,513 Oh, very nice. 348 00:18:17,513 --> 00:18:19,014 Isn't it nice? 349 00:18:19,014 --> 00:18:20,516 The studio got it for me. 350 00:18:20,516 --> 00:18:21,900 Make yourself at home. I'll go get Lucy. 351 00:18:22,484 --> 00:18:22,985 Okay, fine. 352 00:18:25,521 --> 00:18:27,022 Oh, hi, honey. 353 00:18:27,022 --> 00:18:28,023 Hi, dear. 354 00:18:28,023 --> 00:18:29,024 How was the studio? 355 00:18:29,024 --> 00:18:30,025 Oh, wonderful. 356 00:18:30,025 --> 00:18:30,859 How was the Brown Derby? 357 00:18:30,859 --> 00:18:32,828 Uh, uh, oh, 358 00:18:32,828 --> 00:18:34,830 it was just swarming with movie stars. 359 00:18:35,330 --> 00:18:37,833 I bet I saw more stars than you did at the studio. 360 00:18:37,833 --> 00:18:39,451 Well, maybe so, maybe so, 361 00:18:39,451 --> 00:18:43,755 but, uh, I bet you didn't bring one home with you. 362 00:18:43,755 --> 00:18:45,124 What do you mean? 363 00:18:45,124 --> 00:18:49,128 Well, one of the biggest stars in the whole picture business 364 00:18:49,628 --> 00:18:50,963 is sitting in our living room right now. 365 00:18:50,963 --> 00:18:52,431 Who? 366 00:18:52,431 --> 00:18:54,266 William Holden. 367 00:18:56,135 --> 00:18:57,636 What's he doing here? 368 00:18:57,636 --> 00:19:00,772 I thought you'd be pleased. 369 00:19:00,772 --> 00:19:02,608 I met him at the studio, he drove me home 370 00:19:02,608 --> 00:19:03,442 and he wants to meet you. 371 00:19:03,442 --> 00:19:05,394 Well, I don't want to meet him. 372 00:19:05,894 --> 00:19:07,396 Honey, what are you talking about? 373 00:19:07,396 --> 00:19:10,399 I-I just don't feel like meeting him right now, that's all. 374 00:19:10,399 --> 00:19:11,783 What's the matter, you sick or something? 375 00:19:11,783 --> 00:19:14,736 Yeah, that's it. I'm sick. 376 00:19:15,237 --> 00:19:16,071 (groaning) 377 00:19:16,071 --> 00:19:16,989 You got a headache? 378 00:19:16,989 --> 00:19:19,741 Yeah. Oh... I mean... 379 00:19:19,741 --> 00:19:22,794 Is it your head, or is it your stomach? 380 00:19:22,794 --> 00:19:25,998 Well, it sort of jumps around. 381 00:19:25,998 --> 00:19:29,501 Now, uh... look, Lucy, what-what's going on? 382 00:19:29,501 --> 00:19:31,386 Why-why don't you want to meet Bill Holden? 383 00:19:31,386 --> 00:19:33,138 Well... 384 00:19:33,138 --> 00:19:34,556 I know you're not shy. 385 00:19:35,057 --> 00:19:36,058 Yeah, that's it. 386 00:19:36,058 --> 00:19:37,059 I-I just found out. 387 00:19:37,059 --> 00:19:41,063 I-I'm very shy about meeting movie stars. 388 00:19:42,848 --> 00:19:46,235 You tell him to go away, 389 00:19:46,235 --> 00:19:48,070 and I'll see him in his next picture. 390 00:19:48,070 --> 00:19:52,524 Lucy, I don't know what's got into you, but I know this: 391 00:19:52,524 --> 00:19:55,027 After Bill Holden was nice enough to drive home 392 00:19:55,527 --> 00:19:56,528 and come all the way up here to meet you, 393 00:19:56,528 --> 00:19:58,280 you're gonna go out there and meet him. 394 00:19:58,280 --> 00:19:59,581 But I just can't. 395 00:19:59,581 --> 00:20:00,582 Why not? 396 00:20:01,083 --> 00:20:01,950 I just can't. 397 00:20:01,950 --> 00:20:03,252 Why not?! 398 00:20:03,252 --> 00:20:08,123 Well, he never did appeal to me very much. 399 00:20:09,841 --> 00:20:11,543 He just doesn't send me. 400 00:20:11,543 --> 00:20:13,045 What are you talking about? 401 00:20:13,045 --> 00:20:15,047 All I heard all the way across country 402 00:20:15,547 --> 00:20:17,933 was "Bill Holden, Bill Holden, Bill Holden." 403 00:20:17,933 --> 00:20:20,686 Yeah, well, I'm fickle? 404 00:20:23,472 --> 00:20:25,474 Come on. You're gonna go out there and meet him right now. 405 00:20:25,474 --> 00:20:26,975 No! No, Ricky, please! 406 00:20:27,476 --> 00:20:27,976 Come on. 407 00:20:27,976 --> 00:20:29,311 No, Ricky, please! Come on. 408 00:20:29,311 --> 00:20:32,948 Well, listen, at least let me fix my face first. 409 00:20:32,948 --> 00:20:34,399 All right, but hurry up. 410 00:20:39,204 --> 00:20:40,706 Finally, they called me 411 00:20:40,706 --> 00:20:43,208 and they told me to come out and make the picture. 412 00:20:43,208 --> 00:20:45,210 Well, I certainly want to wish you luck. 413 00:20:45,210 --> 00:20:46,712 Thank you, Bill. 414 00:20:46,712 --> 00:20:48,213 It's a wonderful studio to work for. 415 00:20:48,213 --> 00:20:49,214 Well, that's good to hear. 416 00:20:49,214 --> 00:20:50,215 You want some more coffee? 417 00:20:50,215 --> 00:20:51,717 Yeah, a little more 418 00:20:51,717 --> 00:20:52,718 and then I'm gonna have to run. 419 00:20:52,718 --> 00:20:55,220 I don't know what's keeping Lucy. 420 00:20:55,220 --> 00:20:56,221 Oh, here she is. 421 00:20:56,722 --> 00:20:57,556 Honey, I want you to meet 422 00:20:57,556 --> 00:20:59,424 William Holden. Bill.. 423 00:21:00,726 --> 00:21:03,345 My wife... Lucy. 424 00:21:03,345 --> 00:21:04,980 How do you do, Mr. Holden? 425 00:21:04,980 --> 00:21:06,348 How do you do? 426 00:21:06,348 --> 00:21:07,349 You'll have to excuse my appearance. 427 00:21:07,349 --> 00:21:08,350 I just washed my hair 428 00:21:08,350 --> 00:21:10,352 and I can't do a thing with it. 429 00:21:11,853 --> 00:21:15,607 Well, uh, uh, uh... you want some coffee? 430 00:21:15,607 --> 00:21:16,942 Yes, please. 431 00:21:16,942 --> 00:21:18,944 It's very exciting meeting you, Mr. Holden. 432 00:21:18,944 --> 00:21:20,946 You're my favorite movie actor. 433 00:21:20,946 --> 00:21:22,247 Well, thank you, Lucy. 434 00:21:22,247 --> 00:21:25,617 I've seen you so many times, I feel that I know you. 435 00:21:29,621 --> 00:21:33,625 You know, I have a funny feeling I know you, too. 436 00:21:33,625 --> 00:21:34,626 Oh? Oh. 437 00:21:34,626 --> 00:21:36,128 Haven't we met somewhere? 438 00:21:36,128 --> 00:21:37,629 Oh, no, no. 439 00:21:37,629 --> 00:21:39,131 That's impossible. 440 00:21:39,131 --> 00:21:40,132 Yeah, I guess it is, 441 00:21:40,632 --> 00:21:43,635 but, uh, there's something about you that's so familiar. 442 00:21:43,635 --> 00:21:44,636 Oh? 443 00:21:44,636 --> 00:21:46,638 Especially around the eyes. 444 00:21:46,638 --> 00:21:48,056 Oh. 445 00:21:48,056 --> 00:21:49,524 Here's your coffee. 446 00:21:49,524 --> 00:21:51,026 Oh, thank you. 447 00:21:51,026 --> 00:21:53,028 Uh, uh, Bill, what-what's the... 448 00:21:53,528 --> 00:21:55,280 what's the last picture you made? 449 00:21:55,280 --> 00:21:57,649 Well, we just finished shooting The Country Girl 450 00:21:57,649 --> 00:21:59,151 with Bing Crosby and Grace Kelly. 451 00:21:59,151 --> 00:22:01,153 Oh, gee, that sounds wonderful. 452 00:22:01,153 --> 00:22:02,654 Yeah. I hope I get to see it. 453 00:22:02,654 --> 00:22:03,655 Well, I hope if you do see it, 454 00:22:04,156 --> 00:22:04,656 you enjoy it. 455 00:22:04,656 --> 00:22:05,991 Oh, well, I'm sure I will. 456 00:22:05,991 --> 00:22:08,910 Would you, uh, like to watch a shoot? 457 00:22:08,910 --> 00:22:09,911 What was that? 458 00:22:09,911 --> 00:22:12,381 I said, would you like to watch a shoot sometime? 459 00:22:12,381 --> 00:22:13,882 Oh! Could I? 460 00:22:13,882 --> 00:22:16,668 Why, sure. Next time we have, you know, something interesting 461 00:22:16,668 --> 00:22:20,422 going on, I'll, I'll make arrangements and, uh... 462 00:22:26,395 --> 00:22:29,147 Anything wrong, Mrs. Ricardo? 463 00:22:29,147 --> 00:22:30,932 My nose itches. 464 00:22:47,949 --> 00:22:51,953 This California sun certainly makes your skin soft. 465 00:22:54,456 --> 00:22:59,961 Um, Ricky, uh, do you know, uh, yet who your costar will be? 466 00:22:59,961 --> 00:23:02,464 Uh, no, no, I don't know, no. 467 00:23:02,464 --> 00:23:04,466 They haven't decided that yet. 468 00:23:04,466 --> 00:23:08,353 All they told me was that there was supposed to be 469 00:23:08,353 --> 00:23:12,307 five very beautiful women in the picture. 470 00:23:12,307 --> 00:23:15,310 What do you think about that, Mrs...? 471 00:23:22,284 --> 00:23:24,619 Cigarette? 472 00:23:53,982 --> 00:23:55,233 Lucy... 473 00:23:55,233 --> 00:23:57,602 would you mind telling me what's going on? 474 00:23:57,602 --> 00:24:01,523 Well, I guess I might as well tell you. 475 00:24:01,523 --> 00:24:02,908 I went to the Brown Derby today... 476 00:24:02,908 --> 00:24:04,409 That's it. 477 00:24:04,409 --> 00:24:06,411 That's where I saw you. 478 00:24:06,411 --> 00:24:07,913 The Brown Derby. 479 00:24:07,913 --> 00:24:10,916 She was, um, sitting in the next booth, 480 00:24:10,916 --> 00:24:15,704 and, uh, I asked the headwaiter who the beautiful redhead was. 481 00:24:15,704 --> 00:24:17,005 You did? 482 00:24:17,005 --> 00:24:19,958 Yes. I, uh, I wanted to find out your name 483 00:24:19,958 --> 00:24:22,461 and come over and tell you that you should be in movies, 484 00:24:22,461 --> 00:24:26,348 but, uh, you left before I had a chance. 485 00:24:26,348 --> 00:24:27,849 Oh! 486 00:24:27,849 --> 00:24:30,435 Oh, you're just wonderful! 487 00:24:32,771 --> 00:24:34,773 Lucy. Lucy, dear. 488 00:24:34,773 --> 00:24:38,727 Um... I don't know what's the matter with her, Bill. 489 00:24:39,227 --> 00:24:40,729 I-I guess she's so excited. 490 00:24:40,729 --> 00:24:41,730 LUCY: Yeah. 491 00:24:41,730 --> 00:24:43,031 She's never been this close to a move star before. 492 00:24:43,031 --> 00:24:45,951 Yes. You'll... you'll have to forgive me, Mr. Holden. 493 00:24:45,951 --> 00:24:49,955 I, I... I kissed Bill Holden! 494 00:24:59,364 --> 00:25:01,633 ANNOUNCER: Next week I Love Lucy 495 00:25:01,633 --> 00:25:03,635 will be brought to you by cheer. 496 00:25:05,403 --> 00:25:08,290 ("I Love Lucy" theme song playing) 497 00:25:11,793 --> 00:25:13,295 Mr. Holden appeared tonight 498 00:25:13,295 --> 00:25:14,796 through the courtesy of Paramount Pictures. 499 00:25:15,297 --> 00:25:16,798 Others in the cast were Harry Bartell 500 00:25:16,798 --> 00:25:20,302 Bobby Jellison, Dayton Lummis, Dani Nolan, and Allan Ray. 501 00:25:35,317 --> 00:25:37,319 I Love Lucy is a Desilu Production. 502 00:25:37,319 --> 00:25:39,321 Lucille Ball and Desi Arnaz 503 00:25:39,821 --> 00:25:42,190 will be back next week at this same time.